Waterfall – Original Hand Pulled Print

$250.00$400.00

Waterfall is an original hand pulled print by West Michigan artist, Lee Ann Frame. This print was done with etching, drypoint and color woodblock. 3 editions available.

  • Original Hand Pulled Print
  • Drypoint, Color Woodblock, Etching
  • 18×12 Image on 24×18 Paper
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Description

Waterfall is an original hand pulled print by West Michigan artist, Lee Ann Frame. This print was done with etching, drypoint and color woodblock. 3 editions available.

Lee Ann Frame is a West Michigan artist who loves to travel. She teaches at Muskegon Community College. She received her BFA from Grand Valley State University and a MFA from Kendall College of Art and Design. All of the prints that you see are original. Each hand pulled. The image begins with a drawing. Some on location and others in the studio. Printmaking has the curious fact that the image is a mirror of the original. Lee Ann works in several printmaking techniques: intaglio, etching, woodblock relief, and lithography.

Lee Ann says:

“There is a fleeting moment, a pause between, where I float between worlds.  Remember the first time you were able to swing on your own?  Pumping the swing back and forward until you could go no higher?  There is a pause on each end when you float, if only for a fraction of a second, this world of pause, of no gravity that you come in and out of with each full swing–this is the world that I live in while out in nature, drawing, breathing in, hoping to remember the smell of water, the forest’s floor and trees. Born near the shores of Lake Michigan, I am especially ardent for and fascinated by the rugged coastline with its undulating patterns and textures. I investigate the unusual and unexpected forces of the natural world where a narrative can begin as it merges with emotions.   Like life, my art evolves and can have unexpected epiphanies.  Printmaking has proven to be a very satisfying way for me to explore the complexities of life.  I am inspired by the physicality of printmaking; creating rich layers, surface textures through the processes of etching, softground, drypoint, multiple plates and chine collé.  It is my hope that my work lives in the “world between” and perhaps taps the “suspended world” in the viewer.

Landscape is a recurring theme in my prints.  There are days when the lure of nature beckons me out of the studio.   A rendezvous begins in the merging and interactions of the unexpected forces found in nature–when landscape elements compose before me in their collision of undulating patterns and textures.  I prefer drawing on site and other times photographing. Through renderings the image gradually evolves capturing a fleeting moment.  Back in the studio compositional drawings are worked out keeping in mind that the image will print in reverse, a mirror image.  Printmaking has proven to be a very satisfying way for me to explore the complexities of the natural world.  I am inspired by the physicality of printmaking; creating rich layers and surface textures through the processes.  My intention is to focus and immerse into my surroundings whilst implementing my printmaking skills.  It is my hope that my work will evolve–like life; finding place and sense of direction.”

This talented printmaker has had pieces of her work juried into over 100 International, National, Statewide, and Regional Exhibitions. Also, she has juried many state and regional art competitions. In addition to that, she continues to teach workshops in printmaking and bookbinding. Affiliated with the Society of American Graphic Artists; South West Michigan Printmakers International Society of Experimental Artists; Nautilus Fellowship Member; and Mid American Print Council. Above all, Lee Ann has recently been accepted as a member of the prestigious Boston Printmakers. 

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